Subscribe to our FREE email newsletter and download free character development worksheets! A character is thrust into high-stakes, physical drama a gunfight, a daring rescue, a desperate escape that changes her in some important way, and moves the action forward.
Subscribe to our FREE email newsletter and download free character development worksheets! Nancy Kress March 11, Some stories behave conveniently for their authors: They take place in several consecutive scenes not very far apart in time, and everything the reader needs to know is contained in those scenes.
Such stories are easy to structure. You start when the action starts, write sequentially to the end of the action and stop. Then there are the other stories. The ones that take place all over the temporal map: All of these scenes, you have determined, are utterly necessary to the story.
To create any sort of coherent structure for this story, you are going to need flashbacks. Flashbacks offer many pitfalls. This is because even the best-written flashback carries a built-in disadvantage: It is, by definition, already over. It happened sometime earlier, and so we are being given old information.
Like old bread, old information is never as fresh or tasty as new bread. The flashback lacks immediacy. But offsetting this inherent disadvantage are the several advantages a good flashback can bring to a story.
Consider an example of the last case. Your story concerns the behavior of your protagonist, Gary, toward his teenage son, Jack, who has just been arrested for illegal possession of firearms.
This memory shapes all his behavior toward Jack.
How do you convey to the reader what guns mean to Gary? You have three choices: The problem is that the scene is too vital and dramatic for either exposition or expository memory.
This would be fatally clumsy. Time travel done right Your flashback should follow a strong scene. This means that the flashback is never the first scene. Gary stared out his kitchen window. Cold rain beat on the brown grass and bare trees. Nothing happens except weather.
A far stronger approach is to start your story with a scene in story time. It should be an interesting, vivid scene, which brings its character s to life for us.
It should also go on long enough to really get us into the story.Aug 17, · Best Action scenes in fiction Discussion in ' Book Discussion ' started by Thog, Aug 11, As per title, and yes I know this .
Then you can use the flashback as your second scene. Use verb tense conventions to guide your reader in and out of the flashback. 6 Pitfalls to Avoid When Writing LGBTQI+ Characters in Teen Fiction; CATEGORIES Complete 1st Draft, qp7-migration-Fiction, Writing Your First Draft.
Action scenes serve the same function in your fiction, but they need not be over-the-top to be effective. A surprise phone call, an unexpected visit, or an ill-timed delay will force your character to respond quickly (rather than reflect), and allows you to advance the plot without miring it in long descriptive passages and explanations.
A story or novel is, in essence, a series of scenes strung together with narrative summary adding texture & color.
A work of fiction is many scenes, each having a beginning, middle & end. The beginning of each scene is what we’ll address here. Science fiction and fantasy are genres where almost anything can happen — as long as the author can make it seem plausible, and as long as it’s part of a good story.
In writing action scenes, the pace must speed up, to match that of the scene. In order to do this, keep descriptions of anything besides the action to a minimum. For instance, this is not the place for long descriptions of a setting or a character. Some writers use shorter, choppier sentences, or even incomplete sentences.